On Claude Vivier’s Zipangu

I just put up an old paper on Claude Vivier’s piece Zipangu. I think I wrote it in Carl Morey’s Music in Canada seminar back at U of T. I’m posting it (it’s in the “Writing” section of the web site) for a couple of reasons. Vivier’s life and career were both cut short in 1983, and he’s not terribly well-know outside of Canada. Which is a shame, because he wrote some really amazing music. This piece in particular, really struck me, and stuck with me. If you don’t know his music, it’s a great place to start. The paper isn’t an exhaustive analysis, but it does shed light on how the piece is put together. When I dug into the piece, I was startled at formalist it actually was. Would love to hear your comments on both the piece and the paper.

One Reply to “On Claude Vivier’s Zipangu”

  1. Hey Chester, I read your paper and listened to the Vivier. I would have pegged it more as an intuitive, non-formalist approach to writing, so your essay brings up some interesting points! It was fun to go listen to it, thanks for reviving your old paper and posting.

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